Added by Little macc loco
The Cadre Quarters Social Network was founded to foster discussion on Cadre artists and real Hip-Hop in general.
Cadre Enterprises is seeking 18-28 year old female promotional models who would like to become exclusive members of the hottest all female promotional team EVER!!!
The Swedish Bikini Team was okay and the Pussycat Dolls aren't doing too bad, but the Cadre Kittens will be 10 flawless dimes
Requirements
YOU MUST BE:
-beautiful
-classy
-intelligent
-talented
-dependable
-outgoing
-well-spoken
-drama-free
-ready to join the Cadre and take over the music/fashion industry!
Serious models only should e-mail at least one head shot and at least one full body photo (links to online portfolios are acceptable) along with the following application fully completed to kittens@cadrequarters.com
In case you haven't already heard, this Wednesday, May 14th, the city will be voting on the Promoters Ordinance.
Here's the jist of it:
Imagine a Chicago with no Metro or Double Door or Schuba's. Imagine a Chicago with no Royal George or Bailiwick or Athenaeum. Imagine a Chicago where local music is only heard in the suburbs and theater is limited to Wicked and Jersey Boys.
Scary thoughts. But if the City of Chicago's City Council doesn't hear your voice by Wednesday, May 14, they can become reality.
On that date the council will vote to approve an ordinance that has the power to stifle creativity in Chicago's musical, theatrical, and general cultural scenes. With no public discourse or commentary, this proposal has been approved by the City Council Committee and is on the fast track to be pushed into law. It is up to us to let our elected officials know that Chicago's creative scene is too rich, too varied, and too vital to be regulated in such a blanket fashion.
The details:
The "Event Promoters" ordinance requires any event promoter to have a license from the city of Chicago and liability insurance of $300,000, but that's just the start:
* The definition of "event promoter" is so loosely defined it could apply to a band that books its own shows or a theater company that's in town for a one-week run.
* "Event Promoter" must be licensed and will pay $500 - $2000 depending on expected audience size.
* To get the license, applicant must be over 21, get fingerprinted, submit to a background check, and jump over several other hurdles.
* This ordinance seems targeted towards smaller venues, since those with 500+ permanent seats are exempt.
* Police must be notified at least 7 days in advance of event
Plain and simple, this is the trail of fecal matter trickling down the back of Chicago's thigh as a result from the E2 shitstorm where 21 people died in a stampede after pepper spray was used in a drastically overcrowded club. Now it would seem the fate of the Chicago Music scene hangs in the balance. At least for promoters and event organizers who cannot afford the ridiculous extortion attempts. Which is pretty much everyone i know that organizes events.
If you do nothing.....and this comes to pass.....then you really can't be upset with the outcome.
Contact your alderman by this Wednesday!!! Sign the petition, and keep yourself aware of the events surrounding this.
Petition to save Chicago Culture
If you need something quick to cut and paste into an email to your alderman, here ya go:
Dear [Insert your Alderperson here],
Please oppose the Promoters Ordinance on May 14. This ordinance is unnecessary, as current regulation of PPA licenses and safety and security guidelines are sufficient. The ordinance also unfairly singles out small venues and venues without seating, with no justification for during so. The goal for any additional regulation should be enforcement of current laws and punishment of those who do not obey them, not increased burdens on existing businesses. Additionally, the Promoters Ordinance would negatively affect the Chicago music community.
First, it would affect the bottom line of small businesses like Metro and Smart Bar, who make a significant portion of revenue from partnerships with reputable, incident-free independent promoters.
Second, losing independent promoters means Chicago music fans would lose out on many small niche events important to minority groups and others.
Third, restricting independent promoters would drastically cut into the ability to do charitable and political benefit concerts at smaller venues as it would no longer be financially feasible for non-profit organizations to organize these events.
I support live music in Chicago, and feel this ordinance would kill many great events. I want venues to be safe, but this ordinance goes too far.
Sincerely,
[Your Name Here]
Stay tuned,
Phillip Morris
----------------------------------------
Phillip Morris sent this email to lunatic@cadrequarters.com
Questions? Contact Phillip Morris or Phillip Morris, 433 Marshall, Bellwood, Illinois 60104, United States
Unsubscribe | Update your information | Privacy Policy | Forward to a Friend
This email message is powered by:
FanBridge
Free Email and Mobile fan list management for bands.
I received the prior email today and thought I'd post it around. It also in the news so check it out and make your voice heard!!
This tyranny becoming law would bring the NWO one step closer to their final goal people......DON'T SLEEP!!!
http://disclose.tv/action/viewvideo/2946/Nassim_Haramein_s_Unified_Field_Theory___Part_1/
October 24th, 2007 Nutrition Researchers Posted in Children's Health, Food Science Research |
Don't drink cola if you want to be healthy. Consuming soft drinks is bad for so many reasons that science cannot even state all the consequences. But one thing we know for sure is that drinking Coke, as a representative of soft drinks, wreaks havoc on the human organism. What happens? Writer Wade Meredith has shown the quick progression of Coke's assault.
When somebody drinks a Coke watch what happens…
So there you have it, an avalanche of destruction in a single can. Imagine drinking this day after day, week after week. Stick to water, real juice from fresh squeezed fruit, and tea without sweetener.
Loud.com Exclusive: Interview With Lunatic The Messiah, Round 4 Bracket C Winner
By Bryan Munson
(Reposted from http://www.loud.com/news/article_137/)
New York, NY (January 11, 2008) - Not too long ago, we had a chance to chop it out with Lunatic The Messiah, Loud.com's Round 4 Winner from Bracket C. Hailing from Chicago, Lunatic is outspoken, well-read and has spent most of his adult life in the music business. Known throughout Chi-city's underground scene, he's poised to take home a semi-final spot and bring his music to the masses. Read on as we asked him about staying true to self, what it was like to spit for Biggie Smalls and why he walked away from a life that wasn't working.
Loud.com: What’s poppin, man, what you getting into today?
Just getting it together, I’ve got a lot on my plate right now. I’m in a focused place.
Loud.com: Ok, ok. What are you working on?
From jump my main source of income has been music and web design, so I stay busy with a lot of the different Internet, print and design projects I do. I broker different services in the industry, beats for artists, things like that. I’ve learned a lot about the industry, like, I’ve built a record label with about 10 artists and tried to impart things I know to them, you feel me? I don’t have any contracts or employment obligations to anyone, so I operate more outside the box than most in my position. I’m 31 years old, and for basically 20 years, I’ve done nothing but music. Yeah, I’ve had experiences with the corporate America thing, had an IT job, I’m a journalist, wrote articles for people, all that. But right now I’m about the music.
If you go to my website, you can see everything there about me. The mixtape series is my way of promoting hot talent in Chicago, artists that might not have the promo capabilities I have. Not saying I have a lot, but it’s a lot of the basics, so I offer certain services to certain artists that I feel are really pursuing good music.
I’m not about bringing hip hop back to what I’m on, I’m just tired of artists not being unique and creative. I’m tired of artists following what they see on TV. I work with artists on different sounds, people that aren’t cloning anyone else. The industry is so corporate-based and run, if independent artists don’t ban together, corporate America is going to swallow our culture. They’ve done so much to swallow it up already, that’s why I’m passionate about it. I put every waking moment towards it. I’m up some nights until 4am with a house and two kids and all that working to make sure everything gets right. In total, we’ve given out between 40 – 50,000 mixtapes. For FREE. We just had the release party for the last one. My album, I’m preparing for that to drop, it’s ready, but we’re getting the money together to put it out properly. There are a lot of things I’m into right now.
Loud.com: Not a bad thing, though. I’m feelin the video for “Rise.” Tell me about that track and filming it. What was that like? Are you shopping it to any of the networks or independent outlets?
Initially, I was always trying to shop for a deal with a major label. But then I noticed the Internet was changing, and it was changing the way people did business. A lot of the more successful independent artists weren’t and aren’t going for record deals anymore. They’re turning deals down because you can sell 100,000 copies by yourself and make a million dollars.
So to answer your question, no, I’m not really shopping it. I’ve been distributing things like that on my own for at least the last 4 years. I paid about $5,000 to get it done, and they did a real, professional job. I’ve gotten so much more traffic and comments because of it, like 6,000 comments and friends just off that one video alone.
The experience was good, but again, no, it didn’t change my stance on shopping for a major label record deal. If it happened, I mean, I’d definitely look at it, but it would have to be right. If you want the type of success a major can give you, you need that marketing power and financial power. But it wouldn’t be at the expense of selling my soul. Word up, if Steve Rifkind showed up at my door and said, “Do what this artist is doing, I’ll sign you right now,” I’d have to say, ‘Nah fuck you.’ No one should even have the right or the audacity to say that to an artist. That goes for anyone; if they wanted me to change what I was doing, I’d turn them down. I already have. I’m like nigga, you can screw me over on the money, but let me do my thing. I could get on the radio by myself, I got a guy who I can give $10,000 bucks and will guarantee me the kind of spins that would get me signed. But I choose to go about it the right way.
When I’m on top, niggas won’t be able to look at me like they look at 50 Cent and say he’s a sell out. I’m an open window, when you hear me say anything in my raps, whether it’s my criminal record, everything I did, that fact I ain’t never snitched. It’s all about real hip hop. You can look at it, and look at me. I embody that with my music and how I handle my business.
Loud.com: What was your motivation for joining up with Loud.com then?
To prove to myself that I still had it on the battle rap tip. I wanted to see if I still had it and if I could compete with the kids out now. I wanted to see what else was out there, and see where I stood next to the up-and-coming generation. I’ve proven to myself that I think I can outshine them easily. I voted for a lot of people; like, I don’t just go to people’s pages and give them a 5, feel me? I listen to the music. Now with this round victory, my motivation has turned to winning, not how I compare. I know for a fact I can already do that.
Loud.com: Who were some of your influences? Initially, people didn’t always see Chicago as a hotbed for talent, but it has become a great city for hip hop…
To be honest, I’m originally from South Carolina, so growing up I didn’t listen to a lot of Chicago hip hop. Only cat I knew of was Common, and that was when I was a teenager. My influences come more from the Krush Groove-era, cats like Run DMC, The Fat Boys, LL was big when I was a shortie. But when I actually started writing raps at age 10, D-Nice, KRS-One’s DJ, he was a big influence. Niggas like Ice Cube, Das FX, they were the people that helped me create my own style, so, you know, I took bits and pieces. Cube with, like, “Predator” and all that, I thought he was the rawest dude ever. When I was 19, my crew opened up for Coolio, KRS-One, Fat Joe and Pun, before Pun blew up, around ‘95, ‘96. That was when the real shit was poppin for us, and it was inspiring, I guess, to be around cats that were doin it like that. We were on our way to connecting with Biggie too before things got heavy. Now THAT would have been something special.
Loud.com: What happened?
Me and this other cat I rhymed with, he used to move drugs for Biggie in North Carolina. Biggie used to have a strip out there and this guy ran for him. I first met Biggie when I was like 19, and he and this dude, they weren’t really in tune LIKE THAT at that point. Cuz when my homie told me he knew Big, I didn’t believe it at first, but then he showed me some pictures. So at that point, I was like why don’t you call him.
So when all those dudes came through on the Warped Tour with, like, Adina Howard and them, we had the opportunity to spit for Big, and to sum it up quickly, he was supposed to sign us. He was telling (my homie) that he wanted to sign him for years. And that was my plan; I wanted to be down with the kid. Then (my homie) called me one morning and told me that Biggie had been killed. After that, everything fell apart for us. My homie got caught with 56 grams of crack in his trunk on campus, and the cops wanted more, so he set me up and got me caught with guns and drugs. I ran, and wound up bein in and out of jail for a few years. Then, I caught an armed robbery case up here in Chicago and did two-and-a-half years in jail. But I look at that moment as when my life changed.
Loud.com: How so?
I came out of that bid with 209 songs, tryin to set my shit up with BMI, all that, I had a plan. That was in 2000. I hadn’t been out long and was lookin for shows and shit, found this Fresh MC contest that was being sponsored by WGCI 107.5. From there, I took the prize money I won, bought some shit to record and put out an album. It wasn’t nothing that was really all that bangin, so I’ve literally spent the last six years creating this album that I’m about to put out. I know every rapper says their shit isn’t to be slept on, but I spent 6 years putting this together to be everything hip hop needs today. I’m excited about it. But I’m patient and I’ve been able to wait until it’s all came together correctly. It would be a waste to not do it that way. I want to get it on radio, and I have the contacts to do all that; at this point, though, it’s just the monetary side of things holding me back, so if I win this contest, even the $10,000, $15,000, $25,000, that’s going to be plenty. So that’s why I’m putting so much into this contest. Trying to get as much attention to my page as possible.
Loud.com: Word up. I noticed on your page you have an extensive reading list. When did that interest develop, and do you draw inspiration from those books or authors in your music?
I’ve read every book and essay on that list, and others too. It started while I was incarcerated when I was 21 in 1997. I was still in a gang when I got locked up, and it was during this incarcerated period that I removed myself from that gang. I had a ranking spot and gave it up. Basically, I said I was turning my life over to God. From that point on, I’d pray every night for knowledge, for wisdom… for something, you feel me? Cuz my way wasn’t working.
Actually, that’s kind of where my name came from. Up until then, my name was Lunatic, that’s what everyone called me. I was always wildin out and everything all the time. So, when I got off count with this gang and began getting into more spiritual things, it came to me naturally that what I was learning I had to teach. I began talking to guys on my deck about things, and there was this one guy who started callin me The Messiah, like, ‘You better listen to that nigga!’ He had got cops and everyone in there callin me The Messiah, like on some ‘Listen to him’ type shit, and niggas would be wantin to battle me for it.
This one cop used to take me to other decks, battling people. After I lost my case here, though, I got sent up for six years and did a little over two. But I was still communicating with more people in the prison and just began learning more and more. I got a job in the library just so I could sit there and read and write. I got a typewriter. I even changed what Lunatic meant; I came up with an acronym: Like U Niggas Acted Til I Came. I ain’t a Christian rapper, but basically, I feel like my purpose is to bring hip hop back to the promised land. The only thing standing in my way is corporate money.
So yeah, I guess you could say that the books have inspired me, inspired certain songs. I have a song called “Imagine A Nation,” and the concept of that song came from a chapter in a book. I had to perform it acapella in the Fresh MC contest cuz my CD was fucked up. I hadn’t been in Chicago and no one really knew me til I won. After I performed this song, this guy ran up and hugged me out of nowhere, like, people think there’s nothing but gangs up here, but I never expected that. It was all love from a lot of different people. That story is probably the most direct example that comes to mind, though.
Loud.com: You’ve got a real gritty, underground sound… what is your plan if you are picked as the ultimate winner? How do you see yourself touching the masses?
The thing about me is this: I’m not the average emcee, in that, I have a certain style or a certain sound or certain content. There’s no way to box me in if you listen to my catalog. I was born in the projects, and my momma didn’t leave til I was grown. I still live in the hood. It’s not like I ain’t a hood nigga, but I don’t start no bullshit; yet the streets is part of who I am. It’s not something I can dismiss, but there’s a time to act correct and a time to act up. I can put on a suit and tie and act like a yuppie kid if I have to, nahmean?
But I think that mindset crosses over into my music. I have a style that enables me to do anything. I could ghostwrite for anyone, man, Jay-Z, Twista, whoever you want. I could do that East Coast NY sound. Shit, that’s what I grew up doing; I’ve had that on-lock for years. Down South style, West Coast gangster, I can do both. For most of my songs, I kick knowledge. Truthfully, I can get on any level and fit in. The key is it won’t be fake because it’s all part of who I am. I can write negative and positive shit, because I’ve done negative and positive shit. I’ve done it all.
See, I may choose to talk about certain things, but I do it in a different way, and I don’t have to condone it, or make it sound cool. The lifestyle is not fun. Who the fuck wants to watch their back all the time? I lived it and I can talk about it with credibility. And right now, I’m not on no gangbangin shit or whatever, but I got a team full of gorillas, they sell drugs, they carry guns, whatever, whatever, you know what I mean? But I think I’ve kind of turned more into a gangster than a gangbanger. And me being the example now, me being the guy that has done this and that and has the street respect, has the tattoos and everyone knows what he did, yet we see him being a great father to his kids, bein good to his lady, respecting people, handling business… I feel like that can help others fight off the need to fight within by being so gangster, you follow?
When you hear this album that I’m about to put out, you’ll get a better idea of the well-rounded appeal I’m trying to describe. The album is called “Toggle,” and every single song on the album is different in style and content; I flip from hip hop to reggae to whatever. All the different styles of hip hop and content, I did it. It allows me not to be pigeonholed into one particular style. Lunatic The Messiah is my own niche, and there’s not an artist out there that can do anything they want. As Lunatic, I can do some negative shit. But as the Messiah I could do a song with Kirk Franklin. I left things open to straddle the fence and be both or one or none.
And it’s worked out with me by not complicating my image, because a lot of artist’s have to make that compromise. I don’t have to keep doing anything to keep up and save face; that’s how other rappers kill their career. I created my image with that in mind so I wouldn’t have those issues. And when I put this album out, you’ll see what I mean. There’s something on it for everyone. I’ve had a 61-year-old-French-horn-playing white dude that hates rap buy three copies of my one album because he liked one song. I’ve put myself in a good place to not seem unauthentic and feel aiight in my own mind.
Loud.com: Why spend so much time on one album, though?
You’ve got to understand, man, I’m a perfectionist. One of my biggest issues with that first album was that my production sucked. It was way too underground, but now I have so many beats that a Timbo or a Lil Jon or a Kanye could have made. I made sure EVERYTHING sounded radio. Even the songs that are very lyrical have a commercial edge. You’ll turn on one of these songs and you’ll think it’s some thug nigga talking about the streets. But when you listen to the words, you hear a whole different picture and message. I’ve taken what the government and media does and put the subliminal into it and flipped it for my own purposes.
Loud.com: Smart. So aside from the album, what else is bubblin in 2008?
Cadrequarters.com. That’s the website for my label, and people can download everything I’ve done right there. In fact, I got this one mixtape I did to Nas’ “Hip Hop Is Dead” album. I took all the beats and did my own joint. If you go to the page you can see it, it’s called “And On The Third Day.” I got on the white robe with a white rose; it symbolizes resurrection. I threw a shot at him like that only cuz it would be more controversial, but I basically gave him a shout in the beginning. I definitely respect that dude. But yeah, if you go to the artist section on mine or to any of The Cadre’s MySpace pages, you can get them that way, as well.
Loud.com: What’s worked best for corralling votes and support for your music?
I already have a pretty good following that I’ve built up over the years online. I’ve been part of an active Yahoo! Music group since like 2000. Ever since then, I always kept an email list. I knew promoting was very important, so you always want to make sure that anyone who buys your music, you can contact them again. So I emailed a lot. I stay adding a lot of friends, commenting on pages. I didn’t do what most everyone does on Loud.com by stickin flyers everywhere, that shit is like spam. Everyone that does that on my page gets deleted. I didn’t use that strategy. But still, it’s like, if I don’t go vote for people, who’s going to vote for me? Otherwise, that’s pretty much it. I stayed active on lot of forums, adding a lot of friends, with always more pending.
Loud.com: Word, just stayin busy. So, that’s pretty much a wrap, man, anything else you’d like to add? The floor is yours.
I’m a civic-minded, political dude. I’m up on a lot of things that I think people should know about. If everyone reading this can go to my profile on Loud.com, there’s a link that says, Lunatic’s Rawkus Page, and on that Rawkus page is my blog. If you’re not down with that site, go to Reverbnation.com/lunatic, I got a blog there, too. I would love to have people check it out, if not to leave a message about my music, just to be informed about certain issues I care about and that affect us all. Thanks to Loud.com and Steve Rifkind for the opportunity. I’m comin…
.jpg)
That's right, I just recorded 9 new songs for my Loud.com page since yesterday and I'm gonna take a break for now and wait to see what kinda feedback I get. Y'all feelin' what I'm doin' now? Think I got what it takes to go all the way? Let me know!!!!
http://www.loud.com/lunaticthemessiah
Loud.com Exclusive: Interview With Lunatic The Messiah, Round 4 Bracket C Winner
http://www.loud.com/news/article_137/
Press Release (for immediate release)
Loud.com $100K Contest Semi-Finalist Launches New Social Networking Website
(Chicago, IL) January 7, 2008: A local Hip-Hop recording artist, LUNATIC The Messiah, born Christopher Tolen, who recently became a semi-finalist in Loud.com’s online rap contest (where the 1st place winner receives $100,000 cash and a Universal recording contract), has officially launched a brand new social networking website dedicated to Chicago’s Hip-Hop recording artists and music industry professionals. www.cadrequarters.com boasts many advanced features such as content-rich user profiles, hi-tech, up-to-date forums, user groups, uploading and sharing of photos, videos and audio (way more mp3’s than Myspace allows!), promotion to real people, powerful yet easy-to-use blogs, much insider knowledge about the entertainment business from real industry veterans and much more.
With many online social networking sites focusing on the quantity rather than the quality of users, www.cadrequarters.com aims to divert more attention towards building a useful network of music fans, real industry professionals and business resources related to Hip-Hop culture….so don’t be surprised at the lack of spam and the abundance of quality resources and edutainment.
To celebrate the grand opening of www.cadrequarters.com, LUNATIC has announced the official launch of his new Hip-Hop-oriented networking event series at the U.S. Beer Company (1801 N. Clybourn) in Chicago called “Cadre Quarters” which will focus on creating a comfortable atmosphere where Chicago music industry professionals can network, promote and discover new business resources.
LUNATIC, a successful Hip-Hop recording artist and owner of independent Chicago Hip-Hop record label Cadre Enterprises has built a formidable reputation on his incredible lyrical prowess, his ever-developing roster of talent collectively known as “The Cadre Crew” and his “Enterprise” mixtape series with over 50,000 hard copies distributed to the public for free since 2005. LUNATIC has become a force to be reckoned with on the Chicago Hip-Hop scene and aims to redefine it on an international level.
Visit www.cadrequarters.com and register NOW while membership is FREE!
That's right, Cadre Enterprises will be hosting a steamin' hot party every Tuesday at the U.S. Beer Company, 1801 N. Clybourn, Chicago, 9pm-2am. This weekly will be more of a networking event with a maximum of an hour of (feature only) performances each week as we make the atmosphere a little more party-oriented and less open-mic in your face all night. There's other nights for open-mics, this is the Cadre Quarters and we're gonna keep it hot, flavorful and packed every week. I'm bringin' out the HD projector and there's already like 6 TV's for CQTV, videos and other multimedia. I'm gonna be bringin' in some hot Chicago DJ's like Sean Mac, Chi-Blizz, Teefa and more. Everyone have any promotional models you know e-mail us for applications. We'll have the flyers back soon and need everyone to get promotin' so we can pack this muhfucka!!!!
First event is 1-22-08 until!!
Who down with me on this one?
New Rule : Stop giving me that pop-up ad for classmates.com! There's
a reason you don't talk to people for 25 years. Because you don't
particularly like them!? Besides, I already know what the captain of
the football team is doing these days--mowing my lawn.
New Rule : Don't eat anything that's served to you out a window unless
you're a seagull. People are acting all shocked that a human finger
was found in a bowl of Wendy's chili. Hey, it cost less than a
dollar. What did you expect it to contain? Trout?
New Rule: Ladies, leave your eyebrows alone. Here's how much men
care about your eyebrows: do you have two of them? Okay, we're done.
New Rule : There's no such thing as flavored water. There's a whole
aisle of this crap at the supermarket, water, but without that watery
taste. Sorry, but flavored water is called a soft drink. You want
flavored water? Pour some scotch over ice and let it melt. That's
your flavored water.
New Rule: The more complicated the Starbucks order, the bigger the
asshole. If you walk into a Starbucks and order a 'de cafe grande
half-soy, half-low fat, iced vanilla, double-shot, gingerbread
cappuccino, extra dry, light ice, with one sweet-n'-Low, and one
NutraSweet,' ooh, you're a huge asshole.
New Rule : I'm not the cashier! By the time I look up from sliding my
card, entering my PIN number, pressing 'Enter,' verifying the amount,
deciding no, I don't want cash back, and pressing 'Enter' again, the
kid who is supposed to be ringing me up is standing there eating my
Almond Joy.
New Rule : Just because your tattoo has Chinese characters in it
doesn't make you spiritual. It's right above the crack of your ass.
And it translates to 'beef with broccoli.' The last time you did
anything spiritual, you were praying to God you weren't pregnant.
You're not spiritual. You're just high.
New Rule : Competitive eating isn't a sport . It's one of the seven
deadly sins. ESPN recently televised the U.S . Open of Competitive
Eating, because watching those athletes at the poker table was just
too damned exciting. What's next, competitive farting? Oh wait!?
They're already doing that. It's called 'The Howard Stern Show.'
New Rule : I don't need a bigger mega M&Ms. If I'm extra hungry for
M&Ms, I'll go nuts and eat two.
New Rule: No more gift registries. You know, it used to be just for
weddings. Now it's for babies and new homes and graduations from
rehab. Picking out the stuff you want and having other people buy it
for you isn't gift giving, it's the white people version of looting.
New Rule: and this one is long overdue: No more bathroom attendants.
After I zip up, some guy is offering me a towel and a mint like I just
had sex with George Michael. I can't even tell if he's supposed to be
there, or just some freak with a fetish. I don't want to be on your
web cam, dude. I just want to wash my hands.
New Rule : When I ask how old your toddler is, I don't need to know in
months. '27 Months.' 'He's two,' will do just fine. He's not a
cheese. And I didn't really care in the first place.
New Rule: If you ever hope to be a credible adult and want a job that
pays better than minimum wage, then for God's sake don't pierce or
tattoo every available piece of flesh. If so, then plan your future
around saying, 'Do you want fries with that?'
(BTW: These are George Carlin's word)
Have you seen this site yet? Pretty heavy stuff, I'd like to know what you think about it, so reply back and let me know.
This must-read is very enlightening and I recommend everyone watch it with an open mind because it's a little mind-boggling and has implications that we don't even understand yet!!
George Green on Depopulation and the Pleiadians Part 1 of 12
George Green on Depopulation and the Pleiadians Part 2 of 12
George Green on Depopulation and the Pleiadians Part 3 of 12
George Green on Depopulation and the Pleiadians Part 4 of 12
George Green on Depopulation and the Pleiadians Part 5 of 12
George Green on Depopulation and the Pleiadians Part 6 of 12
George Green on Depopulation and the Pleiadians Part 7 of 12
George Green on Depopulation and the Pleiadians Part 8 of 12
George Green on Depopulation and the Pleiadians Part 9 of 12
George Green on Depopulation and the Pleiadians Part 10 of 12
George Green on Depopulation and the Pleiadians Part 11 of 12
George Green on Depopulation and the Pleiadians Part 12 of 12
http://www.youtube.com/watch?v=8n-nT-luFIw&feature=related
Bombs, explosions, secondary explosions, explosive devices....how many more times do we need to hear these words being said by 9/11 witnesses before we start asking questions about what really happened on that awful day?
This video shows that many actual 9/11 witnesses heard and saw explosions going off inside the towers, long before they actually fell. These witnesses include police, firemen and mainstream media reporters.
And what is even more shocking is the fact that all of this has been ignored by the mainstream media.
We really need to wake up to the facts and ask questions. If we don't, what does that say about us?
And for those paid or unpaid debunkers who try to ridicule videos like this, please save your breath. No, there were NO gas pipes in the twin towers. And the sound of TV's exploding is nothing like as loud as the repeated explosions that were heard all over the towers. And finally, the reason why some of the lip movements of the speakers do not quite match up with the audio is because YouTube compresses videos into FLV format which causes the video and audio to fall out of sync.
The original url is http://www.youtube.com/watch?v=3U_GISl3aAA&feature=related
Rawkus.com
Loud.com
Myspace1
Myspace2
Cadre Website
LUNATIC Press Kit
Mozes.com
Last.FM
PureVolume.com
MusicNation.com
ReverbNation.com
RealFresh.TV
Download.com
Buy LUNATIC's 1st Album Ever! (2000)
DopeTracks.com
Rapstation.com
Buy Cadre Promo Gear!
Eventful.com (Demand LUNATIC Now!)
There are no birthdays today



Started by LUNATIC The Messiah in Conspiracy Jul 16.
Started by LUNATIC The Messiah in Politics Jul 13.
Started by LUNATIC The Messiah in General Hip-Hop Discussion Jun 9.
Posted by Little macc loco on November 16, 2009 at 11:00am
Posted by Little macc loco on November 16, 2009 at 10:51am
Posted by Little macc loco on November 16, 2009 at 10:51am
Posted by Little macc loco on November 16, 2009 at 10:49am
Posted by Little macc loco on November 16, 2009 at 10:49am
© 2009 Created by LUNATIC The Messiah on Ning. Create a Ning Network!